Workshop at Pace University

I had the pleasure of joining Dr. Catalina Florescu’s creative writing students at Pace University over Zoom this week, for a short workshop on how concrete detail, and the way we select and sequence it, creates distinct emotional experiences for readers.

I opened the class by reading “Sarajevo on the Phone,” a prose poem of mine about longing and displacement, written after my parents called me from our native city, where they had returned together after twenty years.

We talked about how a first draft is often an act of laying down all the concrete details, the sensory impressions, the textures of a place or a moment. The work of revision is then one of selecting or finding the details that carry the most emotional weight, the ones that get closest to the experience and guide the reader through it most faithfully.

Then the students wrote. The prompt was to choose a place from their past—a building, a room, a street, a natural setting—and imagine someone they know is calling them from there. What do they imagine the person on the line is experiencing? What is the person feeling, hearing, smelling?

When volunteers read aloud, their pieces were strikingly different from one another, some deeply place-based, some rhythmic, one grief-filled, one focused on the dynamic between two people. I was struck by how fully formed each voice already was.

We talked about how much one discovers by simply following a detail or image to see where it leads. One student commented that she had not before slowed down enough to realize what a place she remembered evoked for her and that this exercise brought up feelings she didn’t know were there.

Thanks, Dr. Florescu, for this lovely invitation.

Essay in Barnstorm Journal

I’m delighted to share that my personal essay “Multitude of Hosts” appears in the new issue of Barnstorm Journal, from the University of New Hampshire. The piece begins as a meditation on the candle that sits by my side as I write and opens to a range of memories from my childhood across Bosnia and Spain. Huge thanks to the editors!

Spring Issue of Crab Creek Review

I’m excited to share that the spring issue of Crab Creek Review is out now!

After serving as guest fiction editor last year, I’ve stayed on with the journal as a fiction reader, and it was a joy to reflect on the submissions. 

Our fiction theme, “Embodied Lives,” edited by Kirsten Sundberg Lunstrum, invited stories that explore how the body—its desires, limits, autonomy, and entanglement with power—shapes identity, perception, and connection. We were delighted to receive and discuss such thoughtful, compelling pieces.

Find copies of the issue on Submittable, and join our virtual launch on June 9 at 8:30 p.m. EDT.

Poem in South Carolina Review

My poem, “Through the Window,” appears in the new issue of South Carolina Review. I just received these beautiful contributor’s copies, which look jam-packed with great writing. Can’t wait to dive into the rest of the issue. Big, heartfelt thanks to Editor Elizabeth Stansell and her team! ❤️

Poem in Fourteen Hills

I returned home from a conference to find my contributor’s copies of the 30th anniversary issue of Fourteen Hills. Just look at this cover! I’ve been writing prose poetry based on dreams these last couple of years, and I’m honored to have a recent piece in this volume. Thanks to the editors, who have been wonderfully attentive and thorough through the whole process. ❤️ Can’t wait to explore the rest of the issue!

Poem in Anthology from IU Press

I’m grateful my poem “Bare Necessities” is included in A Flame Called Indiana, a new multi-genre anthology from Indiana University Press, alongside the work of a number of phenomenal writers who are also friends. I’m also thrilled to know that the book will be used as a course text for two Indiana University creative writing workshops this fall. The volume contains short fiction, essays, and poetry from writers who, at some point in their lives, had a strong connection to Indiana, and it is available for purchase anywhere books are sold.

Poem in The Louisville Review

I had a daydream that I wrote into a poem, and the lovely folks at The Louisville Review were kind enough to publish it. I just received my contributor’s copies. Big thanks to Amy Foos Kapoor and guest poetry editors Debra Kang Dean and Wanda Fries. ❤️ Can’t wait to explore the rest of the issue!

Poem in Crab Creek Review & Virtual Reading

The lovely Crab Creek Review published my poem “Why Do Woodpeckers Peck” in their newest issue, and I’m delighted to announce that I’ll be reading this piece and a couple of others with several writers from the issue on June 1 at 9 p.m. EDT. The event is virtual and open to all. Join us if you can!

Reading at Slought

It was an honor last week to read my work at Slought in Philadelphia, with the Cheburashka Collective, in solidarity with Ukraine. Such well-being came from being around so many wonderful writers from Eastern Europe. I’m grateful that we had a pre-reading reception where we could connect and share stories. Thank you to the UPenn Comparative Literature, Jewish Studies, and Russian and East European Studies programs for making the evening possible!