Workshop at Pace University

I had the pleasure of joining Dr. Catalina Florescu’s creative writing students at Pace University over Zoom this week, for a short workshop on how concrete detail, and the way we select and sequence it, creates distinct emotional experiences for readers.

I opened the class by reading “Sarajevo on the Phone,” a prose poem of mine about longing and displacement, written after my parents called me from our native city, where they had returned together after twenty years.

We talked about how a first draft is often an act of laying down all the concrete details, the sensory impressions, the textures of a place or a moment. The work of revision is then one of selecting or finding the details that carry the most emotional weight, the ones that get closest to the experience and guide the reader through it most faithfully.

Then the students wrote. The prompt was to choose a place from their past—a building, a room, a street, a natural setting—and imagine someone they know is calling them from there. What do they imagine the person on the line is experiencing? What is the person feeling, hearing, smelling?

When volunteers read aloud, their pieces were strikingly different from one another, some deeply place-based, some rhythmic, one grief-filled, one focused on the dynamic between two people. I was struck by how fully formed each voice already was.

We talked about how much one discovers by simply following a detail or image to see where it leads. One student commented that she had not before slowed down enough to realize what a place she remembered evoked for her and that this exercise brought up feelings she didn’t know were there.

Thanks, Dr. Florescu, for this lovely invitation.

Semifinalist for Iron Horse Book Prize

I’m honored that my book is included on this list of semifinalists for the 2022 Iron Horse Book Prize! Big thanks to Leslie Jill Patterson and to everyone over at Iron Horse Literary Review—both for this honor and for always pouring such immense care and attention into the process. ❤️ And congrats to all the other semifinalists!!

Review of Anthology

Phenomenal writer Alina Stefanescu has reviewed Voices on the Move, the anthology of refugee writing to which I was honored to contribute in 2020. The book, edited by Domnica Radulescu and Roxana Cazan, is filled with impactful and diverse voices and includes a range of creative pieces. Stefanescu’s review, “The Aliens Created by Nation-States,” is available on WorldCityLit.

Reading at Slought

It was an honor last week to read my work at Slought in Philadelphia, with the Cheburashka Collective, in solidarity with Ukraine. Such well-being came from being around so many wonderful writers from Eastern Europe. I’m grateful that we had a pre-reading reception where we could connect and share stories. Thank you to the UPenn Comparative Literature, Jewish Studies, and Russian and East European Studies programs for making the evening possible!

Essay: “Geography of Peaks and Dips and Lights”

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My personal essay, “Geography of Peaks and Dips and Lights,” describes my return to Bosnia 18 years ago and appears today in The Rumpus. The piece was beautifully illustrated for The Rumpus by artist Susan Ito. This piece, I am excited to say, will also be reprinted later this year in the anthology Voices on the Move by Solis Press.